THE EDGE:
Every morning I sit at the shore. An old
travelling blanket is wrapped around my skinny legs and tucked beneath my blue
feet. I feel the cold so much more now. Feel it deep down in my bones. It is
there from the moment I first come awake until at last I manage to slip away
for a few hours of ancient dreaming.
Every morning I sit and watch him row. This
early there are two noises daring to disturb the waking day. There is the soft
lapping of the sleeping water and the dip and lift of his two oars. Dip then
lift. Dip then lift. Even the gulls are still asleep. Not he. He is always
rowing. Slowly, he etches himself across the ocean. The action does not appear
effortless, rather, the power defies imagining.
Sometimes he has but one passenger and at
other times two or three. He never acknowledges his passengers. Never worries
them with a sharp glance. He rows, his back to them, his thick, tanned arms
lifting, moving. A silent reproach.
Often I catch him alone as he rows out of the
early morning mist towards some point beyond where the cliffs jut out into the
ocean. Where does he row to?
My stomach grumbles; a nagging pit inside my
guts. These days I am always hungry yet I am unable to face eating once I
confront my food. I sit at the table and hunger flees like a rat before a fire.
Why?
I still possess all my teeth. All
white. All shaped to fit the expected norm. All regularly flossed and brushed.
It is a habit I maintain, along with so many other habits gradually perfected
over a lifetime. Each habit has replaced a moment of spontaneity.
People pass by softly. They believe I am
asleep as I lounge in my chair with my eyes shut. No, I am not asleep. Simply
caught up in the swirl of red patterns upon my closed eyelids. Each pattern a direct
descendant of a long, lost memory. With memories come the ache, as if a part of
me has gone missing. And she has. And she has.
The intensity of this memory gazing causes me
to sit so still I am convinced people believe I have already passed away. Occasionally
one of them will carefully reach out to touch my shoulder, fascinated and
repelled. It is hard to touch death: Hard and irresistible. How they jump when
I open my eyes and catch them with a smile.
She arrives every afternoon around
three. An old, old woman, wrinkled and creased like a screwed up piece of
paper. Beautiful nevertheless. She always wraps herself in an old, black shawl.
She wears the same grey dress, the same thick, black stockings.
Each day the old woman, shuffling across the
sand, navigates the shifting tide line. She sits herself down with a grunt,
suspends her cane from the arm of her chair and reaches out to take hold of my
right hand: Every afternoon, the same clothes, the same shuffle, the same
chair. She is like the rising moon and the turning seasons. She can be relied
upon.
She holds my hand with such strength
that at first I was terrified. Now I find it reassuring. I feel my blood caper
through veins grown momentarily soft. I miss that energy, that belief in life. I
miss the surety of my own strength. At times I grew dizzy with the joy of my
strength, the sense of muscle, the glory of sinew.
Sometimes I am angered by my frailty, my
inability to carry out even the simplest of tasks. Even tying a shoelace has
become a trial beyond my capabilities. It is why old men take to wearing
slippers: We do not need the constant reminder.
Through the first hour or so we sit in silence
and listen to the soft lapping as water weakens earth, takes minute fragments
on impossible journeys. We sit and let the silence build. It is as if the need
for words must sprout like a plant. Must first reach into our hearts to spread
roots and branches and leaves until words pop out of our mouths like lush
pieces of fruit.
Her conversations always touch upon her
relatives. There is nothing too sacred, too secret. She talks about this sister
or that cousin or this niece on and on through the afternoon. Rarely am I asked
to comment. Sometimes I might sit through an entire afternoon and not say a
word. Just sit and let the words touch me.
At other times I might let something slip.
Something somehow connected with what she is talking about. Always it is a
scrap of me. A nail begging to be prised loose from an old, weather beaten
board. I am always surprised by what I let loose. Today, for example, it was
such an ancient nail; so rusted that I had forgotten it was there.
Once when I was six or seven I stabbed Peter
Weir. I was lined up with my class outside church, preparing to enter its cool
shadows and I lost my temper and stabbed Peter Weir. It never ceases to amaze
me how a name will suddenly drop on to your lips. A name not mentioned in
seventy or eighty years and then there it is, fresh as the day you first heard
it. It was a glorious day and I stabbed Peter Weir in the back with my fountain
pen. Stabbed him so hard the pen hung for a moment from his back. I stared at
the nib, at the tiny hole in his blue, nylon shirt. Stared fascinated, at the
point where nib entered flesh, where blue ink and red blood mingled. Stood,
rock still, amazed at my act.
After I have spoken to the old woman I breathe
easier. The air tastes cleaner.
If the man rows past while she is sitting next
to me he always lifts the oars straight out of the water and nods, once, to
her. She is the only person he recognizes: The one person who impinges upon his
existence. It is as if his whole being is for the completion of a single chore
and she is his overseer.
She never acknowledges his salute. Always he
is defeated. He lowers his oars and slowly, sadly, rows away.
I wonder if he would cease to row if she
would, just once, acknowledge him. Would that be the end for him? A penance
finally lifted? A labour completed? They are like the sun and moon. He blazes
for all to see and is seen by all but the one person he wishes to see.
As soon as the sun kisses the horizon she
ceases her words, releases my hand and leaves. Never has she uttered a parting
word. Never a goodbye. She simply ends the day by ushering in the night.
I usually stay seated a while longer. I remain
until the chill builds itself into an unbearable pain. I lift myself out of my
chair, though I fear I will fail, will find myself stranded on the beach,
frozen by the night, discovered by an anonymous wanderer the next morning,
already stiff; covered in dew as if the earth shed the tears I could not.
At night in the cottage I sit by the tiny
heater. Its single red band glows in the dark like a familiar pet, a shaggy
dog, a purring cat. The heater brings me companionship. Even in summer I must
have the heater on: A guardian through the long, dead hours of night. We share
the night, the heater and I. We share each passing fragment, each labored
breath, until finally my eyes sink beyond fear and I begin to dream.
Today it is raining. A soft rain
that beguiles all who love the dry. I don’t mind. I like the feel of rain. I
like the way it gathers in mass to slide down my wet forehead. I stretch out my
tongue as a landing platform. I keep my eyes open to let the water swim
through.
As a child the rain touches our most primitive
aspects. It touches our oldest memories; memories buried so deep they inhabit
the genes. Is it that we remember, in some primordial way, how it rained for
sixty thousand years when the first clouds burst upon the cooling earth? Does
some ancient part of our psyche celebrate that first cloudburst? That first
step towards life?
Now the rain is like a mother. She washes away
the intensity. She relieves the anguish. She welcomes the prodigal home.
Somewhere deep within the rain I hear her voice soothing me. Calling me. I feel
like that ancient dry earth touched by the hands of fate.
He parts the mist, a performer’s entrance. He
rows with such purpose, such a sense of belonging. I wonder, was the ocean
created for this? For him? His muscles? The shifting of his oars? Are all
waters a descent from these waters? I
remember a time he rowed directly out of the rising sun. Oars touching fire,
water, fire, water. I believe I discerned the line attached to sun and boat.
Who is he? What is his secret?
Once I saw a passenger stand up as
if preparing to attempt the swim back to shore. The man never slowed, never
altered the rhythm of his oars and it was as if that was enough. Totally
defeated, the passenger sat back down, shoulders slumped forward to accept the
load, eyes vacantly fixed upon the broad, strong back. How terrible the power
of his back. The judgement of his oars.
My daughter paid me a visit today.
She brought my grandson with her. Usually she doesn’t, but today she did. How
he has grown. His bright orange hair catches the sun. His clear, blue eyes are
filled with the future, touched by the tide of the past. I see me, my father,
see past and future mingle in his every movement, in each of his mannerisms.
When he concentrates he even bites his tongue like my dear departed brother.
He makes me cry and that is why she rarely
brings him. She wishes to guard against the madness of old age, the way tears
slip so easily from old eyes. I think she should not. I think it is better he
see. Better he retain a faint memory. She thinks the tears are pathetic. She
thinks they are proof of my descent into senility. She does not understand that
my tears hold a truth, a wisdom I had never expected to touch. They are a gift.
An exchange for the withering of flesh.
He detests sitting in my lap. I don’t blame
him. She makes him of course. She is ruled by manners. Manners and civil
conversations. No warmth. No display of affection.
I think she has never forgiven me for that one
slap which sent her tumbling down the back steps. She broke her arm in that
fall. Often when it is cold I catch her rubbing that arm, that break, and in my
soul I sense something that needs to be rubbed also.
How can I explain to her that I am sorry. Once
in my madness I begged for the removal of that single act from the universe.
Now I let the act remain. I accept it. I accept the change it wrought in her.
Wrought in me. The act brought about so much, like a ripple through our lives,
our contact with each other.
They stayed and chatted to me until my
grandson grew impatient. I love him. I love his honesty. She became embarrassed
but I could see she wished to leave also. I told her I was tired. I helped her
on her way. I love her.
I grow curious. The need to know
where he rows to, from whence he rows, has become an itch. A sting that refuses
to rest. Is this his gift? His parting wave?
Summer has returned. Some days the sun almost
thaws my bones, but not quite. Never quite. Only the moon refuses to lose
power. The sun burns so brightly, but, truly, he lacks the mystery.
The first tourists have arrived. We are lucky,
only a few hundred tourists seek sustenance in our waters. Most of them are
familiar now. They recognize the old man. They leave his chair alone. Ignore
him as they indulge in their yearly rituals. People assume I do not have the
energy to be disturbed, or perhaps they think I can no longer understand social
intricacies. I understand so much more, though the old woman is wiser still.
Where does he row to? Where does he row from?
What lies beyond the cliffs? I have never seen the land beyond. I have never
before wanted to. Now my poor, white legs lack the belief to carry me. Yet the
desire grows.
I asked the old woman if she knew what lay
beyond the edge. She laughed. I knew if I should repeat the question she would
laugh again and continue to do so until I asked no more.
I begin to understand. I sit watching him row
and I begin to make the connection. I even jiggle the two coins in my pocket.
Now I know why I have hung on to them these many years.
It grows easier. A thing I never expected.
With each passing day, it grows easier.
I bade farewell to the old woman today. My
time is close and I thought she would want to know. She took my hands and
kissed my knuckles. Her cracked lips are still amazingly potent. A last
stirring blossomed with that kiss. She too possesses power.
She sat with me through the setting of the
sun, her hand gripping mine in understanding. She gave me strength. Both of us
watched the light falling as if jewelled insects danced upon the water. Even at
the last a surprise. She stayed.
She is sitting with me still. It is night. It
is not cold. The full moon rises, its silver rays catching the waves of the
whispering ocean. Everything is whispering. Everything is aware. Everything is
bidding farewell.
Out of the mist, the moon creating a path, I
see him rowing his boat towards the shore.
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