here
is the image, the boy faces out
at
the world, the trunk hard against his back,
he
has discovered he is stuck on the branch,
having
climbed so high he cannot turn
to
the trunk and climb his way down, and this moment
when
he can see the fall, the ground, unnerves him,
freezes
him, thin, shaking legs, sweaty palms
and
only his ears working, and it is his ears his mother
works
to guide him back down to the earth again.
It
may be a mother or a wife, even a daughter
if
given heed, the feminine side then — perhaps
even
his own, could, if the woman (the yin) is given
the
chance, talk him down from this place
where
the needle and vein remain entwined;
an
eternal dance for the moon, an eclipse
of
the wyrd that may have been.
So
now, like Lieu, he finds his foot on the bath
and
his other on the goat, he has bought the needle
wrought
far from any sacred ground and waits
only
for dusk to settle so that he might travel again
aware
that one time he may not return,
instead
succumb to the wish he has kept
like
a tangle of well-worn fishing line
in
the deepest pool of misplaced anguish —
or
perhaps his atoms and snapses are merely susepticle
to
the longing, and the piercing of the needle makes significant
the
way woad once did when calling the warrior forth,
and
in this tree, willow for the tears he has wept in secret,
he
rests, bleeding years into misery of the desire for more
and
he would like to find a voice to reclaim the road
and
talk himself down and only his mother's voice
could
convince him to turn to face the trunk and let one foot
and
then the other and find the way down to safety
but
his mother is only a fleeting memory that passes.
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