I had
decided – or had it been decided
for me,
luckily it
was 1977 so any decision was free,
contextually.
I wore my
favourite shirt,
white
cotton, only four buttons to the neck
overly
large, unflappably flappy –
it was even
clean.
jeans, I
think, basically
in 1975
it was
always jeans,
I think.
I entered
the formal entrance,
two huge
doors, wooden, designed
to
intimidate and they worked
I had never
been in a building with two doors;
doesn’t that
say a lot about the doors I had,
and had
still to cross,
then
followed a sign – it read interviews this
way
and the
arrow to the right.
I followed,
dutifully
and found four
students hardly older
than I was seated,
erectly, behind a large table,
the table
adorned with a white table cloth –
it matched
my shirt
unfortunately,
except whiter
newer, and
suited to that room
and time.
“Sit,” said
one. I sat,
and the
interview began –
I blame my
voice
not its
timbre,
its deep,
beautiful resonance, a bassoon of a voice;
rather its
ability
to locate
me specifically
and in that
room, on that chair,
it did so
perfectly.
I could
hear their voices and noted mine
my hair too,
long, obviously washed,
overly so,
and combed
to perfection –
not theirs,
allowed to
just be, hanging loose,
they had no
attention
to details
to worry about.
as I spoke
I felt the
chair moving further and further away
a speech in
a long shot – the reverse zoom,
table,
corridor – two double doors, outside;
“thank you,
we’ll let you know,’
but we
already did. Them and me,
my voice
and theirs, my hair and theirs,
everything
in that room knew –
even the
room itself knew – and especially
the
portraits knew;
it may be
free but I was not
gaining
entry.
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